I’ve known Dan Blank (pictured here) over a number of years and he has become my go to resource for clients who are aspiring authors. Dan brings and incredibly down to earth, brass tacks and honest approach to business building.
Recently, he hold me that he’d now branched into the broader field of helping people find and market their creative work (i.e. they’re worried that their career isn’t going anywhere; that they need to build a following; that they want to learn how to market their art) so I asked if I could interview him about it all and his new program Fearless Work for my blog. He graciously accepted. I think you’ll be glad of it.
What’s this new project you’ve got on the go?
It’s a program called Fearless Work, which is a course to help creative professionals find more time and energy to work on their art or craft. It focuses on helping people prioritize what matters most, work smarter, make creative habits stick, and manage their fear around big risks and a packed schedule.
Who would you say are the top three groups of people it’s for?
Anyone who is trying to find more time to do creative work amidst life’s many professional and personal demands.These could be artists, writers, designers, photographers, entrepreneurs, illustrators, musicians, and many others.
Working creative professionals. People who are entrepreneurial around their art and craft, and have turned it into a business.
They are finding success, but also finding barriers, and looking to break through to the next level.
Those who have dabbled with turning their art & work into a career, but want to now take it seriously.
Why did you create it? What need did you see? What’s the story?
After spending my entire life surrounded by those doing meaningful creative work, I always hear about their challenges — the things that prevent them from practicing the work they care the most about. In the past five years, I have run my own company helping these people, really being in the trenches with them as they strive for their goals.
Fearless Work is my way of creating a resource to re-shift aspects of one’s life to allow for more creative work.
What are the top three aspects of life that seem to get in the way?
- Yourself. What is most astounding is how many of the barriers that stand between someone and their creative work is often their own internal boundaries. They refuse to give themselves permission, or they are driven by narratives that kill their work before they can create it.
- Reacting to the demands of others and things external to you. This could be your day job, but it can also be the everyday demands of laundry and dishes.
- Being a parent. While most people I meet who are any age, whether they have kids or not, are very busy, I find that becoming a parent offers unique challenges. When you have kids, many of the process you have honed for yourself go off the rails because you are now fully responsible for other human beings. It’s impossible to overstate how much work this is: you literally have to wipe their asses. And, while this is a responsibility done with the deepest levels of love, that is also why it can be taxing in ways we never quite imagined before having children.
Fearless Work is also about ways to establish habits that allow for more creative work to be done each day. It is the culmination of everything I have learned in working with hundreds of creative professionals, as well as my own company.
I hear from people every single week, about how profound their struggles are. They feel they work more hours, give more of themselves, only to feel as though they are treading water, their dreams unfulfilled. The course delves into the practical actions that one can take (both internally and externally) to not only feel more fulfilled, but focus on what matters most in their creative endeavours.
Everyone feels overwhelmed, and 99% of the time, the only thing holding you back is yourself.
Everyone has challenges, and some of them are breath taking in their complexity: the person who is coping with a debilitating illness; someone who has suffered through a traumatic event; the single parent of 5 kids; the sole caregiver for ailing parents. Yet, I always speak to people who, despite these very real responsibilities, can manage to also find room for their own identity, and their own work. That all of these things are a part of who they are, and that even serious responsibilities don’t have to sidetrack who you want to be.
There are others who do a similar type of thing, what did you see was missing in it all that had you want to create this?
I love the various resources that are out there, and how inspiring each can be in their own way.
For my own experience working with creative professionals though…
I find that the business side of creative work is overwhelming for many people. While I always put the art first, I have deep experience in turning one’s creative vision into a viable business. It’s an obsession, really.
When I look back on both my professional and personal experience, it is across a wide range of arts. When I was a kid, I went to art school, and growing up, I did illustration, photography, poetry, sculpture, pop-up books, music, writing, a newspaper cartoon, trained to be a radio DJ, published a zine, did design work, and eventually I became an entrepreneur working with writers and creative professionals.
I hear these challenges everyday because of how many people/orgs I work with. I have to address them because these are the relationships that fill my life. None of this is theory, I am in the trenches with these people every single day.
I suppose, I see the “productivity” and “inspiration” side of this focused on a lot by others, but things such as mental health are often not being address. For example, I am the last person who will ever tell you to do more creative work by giving up some sleep. The idea of robbing someone of sleep in order to gain “productivity” is offensive. It cuts away at the foundations of their physical and mental health — that is NOT progress to me!
My company is five years old and I have established processes that I think others can find value in.
Why is this such a struggle for artists to take on the business side of things?
The answers vary, but one phrase that comes up often is “permission.”
Meaning, that after the artist goes through the struggle of creating work that matters deeply to them, they are confronted with the fear of permission, “Who am I to now ask people to pay for this?” Which is why many creatives wait to be “discovered.” For others to validate their work by sheer magic — without the artist having to proactively put their work out there. I suppose core to this is a fear of judgement, but also anxiety that many artists feel around their identity. Impostor syndrome is pervasive across professions, but I see it crop up often in creative fields. All of this is part of the stew that makes the business side of the arts extraordinarily complex for creative people.
I’d be curious to hear what other terrible advice you see out there for artists and creative types.
Most of the advice I see that turns my stomach are versions of get rich quick schemes. For the arts, it may not focus on money alone as the goal, but on the validation that many creative people seek. So yes it could be, “Make a million dollars with your art!” but it can also be “The world is just waiting for your message!” As many creative professionals will tell you, when they released their work publicly, it was received to dead silence. The distinction between the amateur and the professional in this context is that they took efforts to ensure it found an audience, and that this was truly work that takes time and pushed them passed boundaries.
What are the three top blunders that you see people make in addressing these issues?
Goodness, only three? How about six:
- Looking for a tool that will magically fix everything. The real value comes in establishing good habits and new processes. Are tools a part of this? Sure, but they serve the habits and processes, not the other way around.
- Thinking it is all in or not at all. Consider how many people start and fail at diets. They are either “on” the diet or “off” the diet, and change of this caliber needs has more layers to the gradient than this. This is about tiny changes a little at a time.
- Seeking productivity tips that adds more stuff to their already packed life. You can’t get clarity by adding and adding to your life — you have to SUBTRACT what doesn’t matter in order to find more resources to do the work that truly matters.
- Focusing on only time, not energy. Energy is a renewable resource that affects all areas of your life.
- Seeking “balance.” To be honest, I don’t believe in balance when it comes to how people traditionally talk about “work/life balance.” Balance is a lovely concept, but if you listed out all of your personal and professional obligations, I think the idea of “balance” gets in the way. Instead, I believe in clarity and priorities. The term I tend to use is this: OBSESSIONS. Making hard choices about what matters most.
- Managing their work life separate from their personal needs and goals. You have a single life, and a 24 hours in a day, you have to manage it as a whole.
What are the main good habits you feel like creative folks need most? Could you share a story or example of of a habit you’ve developed that’s paid off?
The habits that most creative people need to establish is taking small actions in a consistent basis. I mean, that is what a habit is, right? Break down a larger creative vision into tiny component parts that you can control. An example would be how I wrote the first draft of the book I am working on. I reserved the first hour of the day to write, with the goal of at least 1,000 words per day.
Now, a distinction I made is that this was about quantity, not quality. I wasn’t judging if my writing was good or not, I just focused on getting words on the page. Within less than 40 days, I had hit my goal of a 65,000 word first draft. Before I put the restraints on the habit (1 hour, 1,000+ words each day), the idea of writing a book was nearly incomprehensible. All I saw where challenges.
Also, I find boundaries to be extraordinarily useful in the creative process, and that they are useful in how we work as well. For instance: I don’t fly. I won’t be shy here: it scares me. So when I created my business, I put a simple rule in place, “No flying for work.” Now, this meant I put a severe limitation on potential revenue streams. I have done a lot of speaking, and this limitation meant that I could never truly seek out a highly paid speaking career, seeking out keynotes and the like. Revenue stream #1 in the toilet. I also do come consulting for organizations, and this limitation meant that I couldn’t seek out large clients outside of those in area around New York City. Any large organization client would likely want a series of in-person meetings, and since I don’t fly, that meant I couldn’t say yes to that. Revenue stream #2 in the toilet.
And yet, 5 years in, my business is doing fine. These limitations allowed me to OBSESS over other areas I am passionate about, such as developing online courses that could reach people anywhere in the world, and be created from my home. For the Fearless
Work course, my team and I have worked on it for months, through an incredible amount of OBSESSIVE research. For much of that time, we had to ignore other potential opportunities to grow my audience or my business. We are all in on this course, and it feels extraordinary to so fully devote yourself to something.
What are the top three things people could do on their own to address these issues effectively?
When approaching the idea of Fearless Work — to do more of the creative work that matters most to you, I find these three things can help you find greater success in working through the process:
- Make it social. Surround yourself with like minds. Don’t struggle by yourself.
- Focus on clarity, especially around your goals. It is astounding to me how vague people’s goals often are when you scratch the surface. Oftentimes, you find that there is nothing there, just a vague idea. Why? Because they were too afraid of the obligation that comes with truly tackling their dreams.
- I would rather see you focus all of your energy on establish a single TINY positive new habit than create some complex system that fools you into thinking you have solved it all. Start small.
For more info on Dan’s program Fearless Work click on the image below.